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Pierre-Henri de Valenciennes
(December 6, 1750 - February 16, 1819) was a French painter. Valenciennes worked in Rome from 1778 to 1782, where he made a number of landscape studies directly from nature, sometimes painting the same set of trees or house at different times of day.He theorized on this idea in Advice to a Student on Painting, Particularly on Landscape (1800), developing a concept of a "landscape portrait" in which the artist paints a landscape directly while looking upon it, taking care to capture its particular details.Although he spoke of this as a type of painting mainly of interest to "amateurs", as distinguished from the higher art of the academies, he found it of great interest, and of his own works the surviving landscape portraits have been the most noted by later commentators. He in particular urged artists to capture the distinctive details of a scene's architecture, dress, agriculture, and so on, in order to give the landscape a sense of belonging to a specific place; in this he probably influenced other French artists active in Italy who took an anthropological approach to painting rural areas and customs, such as Hubert Robert, Pierre-Athanase Chauvin and Achille-Etna Michallon.

 

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Pierre-Henri de Valenciennes View of the Palace of Nemi. oil painting

Painting ID::  72094

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Pierre-Henri de Valenciennes
View of the Palace of Nemi.
Landscape from the french painter Pierre-Henri de Valenciennes. View of the Palace of Nemi.
   
   
     

 

 

Pierre-Henri de Valenciennes A Capriccio of Rome with the Finish of a Marathon oil painting

Painting ID::  72266

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Pierre-Henri de Valenciennes
A Capriccio of Rome with the Finish of a Marathon
Date 1788 Medium Oil on canvas Dimensions ? X cm cyf
   
   
     

 

 

Pierre-Henri de Valenciennes Cicero Discovering the Tomb of Archimedes oil painting

Painting ID::  81781

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Pierre-Henri de Valenciennes
Cicero Discovering the Tomb of Archimedes
Date 1787 Medium Oil on canvas Dimensions 119 x 162 cm cjr
   
   
     

 

 

Pierre-Henri de Valenciennes Storm by a Lake oil painting

Painting ID::  85166

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Pierre-Henri de Valenciennes
Storm by a Lake
Date 1780(1780) Medium Oil on paper on canvas Dimensions Height: 40 cm (15.7 in). Width: 52 cm (20.5 in). cjr
   
   
     

 

 

Pierre-Henri de Valenciennes the Two Poplar Trees oil painting

Painting ID::  85193

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Pierre-Henri de Valenciennes
the Two Poplar Trees
Date 1780(1780) Medium Oil on paper on cardbord Dimensions Height: 25 cm (9.8 in). Width: 38 cm (15 in). cjr
   
   
     

 

 

Pierre-Henri de Valenciennes Storm by a Lake oil painting

Painting ID::  89486

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Pierre-Henri de Valenciennes
Storm by a Lake
1780(1780) Medium Oil on paper on canvas cyf
   
   
     

 

 

Pierre-Henri de Valenciennes Valenciennes oil painting

Painting ID::  89502

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Pierre-Henri de Valenciennes
Valenciennes
1780(1780) Medium Oil on paper on cardbord cyf
   
   
     

 

 

Pierre-Henri de Valenciennes View of the Convent of Ara Coeli with Pines oil painting

Painting ID::  89755

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Pierre-Henri de Valenciennes
View of the Convent of Ara Coeli with Pines
1780s Medium Oil on paper mounted on board cyf
   
   
     

 

 

Pierre-Henri de Valenciennes View of Rome in the Morning oil painting

Painting ID::  89816

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Pierre-Henri de Valenciennes
View of Rome in the Morning
1782(1782) and 1784(1784) Medium Oil on paper laid on board cyf
   
   
     

 

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Pierre-Henri de Valenciennes
(December 6, 1750 - February 16, 1819) was a French painter. Valenciennes worked in Rome from 1778 to 1782, where he made a number of landscape studies directly from nature, sometimes painting the same set of trees or house at different times of day.He theorized on this idea in Advice to a Student on Painting, Particularly on Landscape (1800), developing a concept of a "landscape portrait" in which the artist paints a landscape directly while looking upon it, taking care to capture its particular details.Although he spoke of this as a type of painting mainly of interest to "amateurs", as distinguished from the higher art of the academies, he found it of great interest, and of his own works the surviving landscape portraits have been the most noted by later commentators. He in particular urged artists to capture the distinctive details of a scene's architecture, dress, agriculture, and so on, in order to give the landscape a sense of belonging to a specific place; in this he probably influenced other French artists active in Italy who took an anthropological approach to painting rural areas and customs, such as Hubert Robert, Pierre-Athanase Chauvin and Achille-Etna Michallon.